Harish Film views

Director: Steven Spielberg I always felt Spielberg is a unique filmmaker who bends his style for the genre he wants to create. While he could make an emotional, yet witty drama in the form of ‘Catch me if you can’ & ‘terminal’, he wouldn’t bring that genre defining theme into his sci-fi thrillers like ‘AI’ or ‘War of the worlds’; or for that matter, he never mixes the grandeur of ‘Jurassic park’ & ‘Indiana Jones’ with his emotional ventures like ‘Munich’ or ‘Schindler’s list’. So when he decided to make a film out of ‘Tintin’ I felt he would go into the ‘Indiana Jones’ theme with a little more serious tone tossed in. In other words, one should be prepared for kickass nonsensical fun. Indeed, the movie felt like another misadventure of Mr.Jones, placing it well as a prequel to the 'Last Crusade', concentrating on how the boy Jones turned into an adventure seeking man. But with it comes the unnecessary grandeur that Harrison Ford seemingly pulled off with his infecti

Director: Imtiaz Ali With a title like Rockstar, it is elementary to expect a movie on rock music. But, similar to the remark that a character gives to Jordon, ‘tum gaane baja rahe ho, ya gaane pe baja rahe ho?’ (Are you playing music or playing on music?), Imitiaz has used Rockstar only as one of the many layers (a wonderful layer at that) to wrap his painful, soul stirring love story. His concentrations are more towards the relationship that his lead pair share, which will still be strong, even if this movie were to have a software professional as lead, instead of a musician. Like the character of Jordon (Ranbir), Rockstar is a film which never submits itself to be understood; instead it treads a path that brings out joy mainly by what it shows as an aftermath of the events that cause the characters to behave that way. It doesn’t care about the character’s whereabouts or how a character ends up bedridden. In other words, it has immense disregard for any and every ba